Rurouni kenshin kyoto inferno acg tube
While I disagree with this being a flaw (since I didn’t consider it necessary to do more than establish the other characters, which they were), It was disheartening that a great majority of the dialogue and conversations either revolved around Kenshin, or directly included him. In the first film, a common complaint was that most of the characters were underdeveloped except for Kenshin and Megumi.
#RUROUNI KENSHIN KYOTO INFERNO ACG TUBE MOVIE#
The most obvious part of the movie is the acting and character performances. The monumental effort put forth by Otomo and his team is astounding and really is commendable for reason’s I’m about to get into too.Īside I said before, we’re going to take a comprehensive look at the main aspects of the film and point out any flaws if we find them. I gave a few of my criticisms when I spoke my opinion of the first film above, and this film carries with it almost none of the flaws of it’s predecessor. Keishi Otomo seems to be one of the few directors that learns from his experiences each time he makes a film. If you don’t already know, Kyoto Inferno is one of the two sequels of 2014 to the original Rurouni Kenshin film, all directed by Keishi Otomo and to kick off everything: It was bloody fantastic If they have something I liked from the manga, I’ll mention it, but overall, unless it effects the overall story arc or changes the central characters (CENTRAL is the keyword there) in a negative way, then I will judge it as a flaw for the film. I will judge the films on their own merits as films. I will try my best to refrain from harking on the movie simply because it missed something from the manga, unless it was important to the overall character and narrative. One final note: I consider the adaptations separate entities. I mention this because this review will reference the first film from time to time. There were many continuity errors, non-sensical story elements, cheap looking props being filmed at inappropriate times and sometimes really lazy directing. I would personally award this film a solid 8/10 in the personal enjoyment category, but if I’m to be objective and assess how well made the film actually was, it’s probably a 6.5 out of 10. It was horrendously flawed but it stayed true to the source material. Don’t worry, you don’t have to scroll throw my post history because I’m going to save you the trouble. Each segment will have it’s own respect score, to tell how I felt about the execution of these really basic essentials in the filmmaking process.īefore I begin this review, I might add that when i first started The World with Roses blog, it was meant to be a film review blog before evolving into a contributor for HYRK, and during this time I did a review for the first film. The second will be a score of how much I actually enjoyed the film subjectively. To do this, I will assign two scores at the end: One score is a personal assessment of the effectiveness of the filmmaking.This will largely be unbiased and as objective as one can possibly be. Instead, they choose to either praise or criticize what they liked or disliked from the movie in relation to the source material (sometimes comparing it to the anime, another adaptation), rather than observing what actually worked or didn’t work in the film.
![rurouni kenshin kyoto inferno acg tube rurouni kenshin kyoto inferno acg tube](https://i.ytimg.com/vi/-ti5Y9jAor0/maxresdefault.jpg)
I’m not an expert by any means and I will try to keep it as simplified as possible, but I’m doing this becaue I’ve noticed that most reviews don’t really get into the meat of what makes the film good or bad. Fair warning: this review is going to be comprehensive and in response to many of the criticisms I’ve seen fans give this film, as well as offer a fresh perspective as someone who one day kind of hopes to get into filmmaking and studies it off-hand from time to time. I’ve waited nearly 6 months to finally watch one of the long awaited and highly anticipated sequels to 2012’s Rurouni Kenshin, directed by Keishi Otomo and boy was it fun to write about. Rurouni Kenshin Kyoto Taika Hen (Kyoto Inferno) Film Review